Chapter 2 – Chapter 2

It was as if the house had been furnished just for our party. We were sitting in a circle on the screen porch overlooking the waterway leading to Hilton Head Island to the northeast. Five substantial rattan chairs around a circular cocktail table. Three men and two women chatting amicably, but saying nothing of any importance, which would have been considered a crime in our intellectual circles in New York. The undercurrents among us were stirring more than the faltering breeze filtering into the porch from the sea, promising an undertow at the first misspoken word. I looked at each of the other four as if they were strangers to me—and that included my wife of eight years. I'd say my trophy wife, as Damien Peer, who was sitting next to me in overpowering animation, sucking up all of the air in the circle with his "hey, look at me" presence, could say about his young model wife, Tish. But I was the trophy spouse for Helena, sitting across from me.

Was that on purpose? Was Helena sitting separated from me because of last night—because of what didn't happen? Was she punishing me? I had expected her to settle down on the other side of me from Damien, but she moved deliberately to a chair across from me, and Tish had slid in beside me and placed her hand on top of mine and was playing with the hair on the back of my hand. I wondered if I was the only one present to know that she expected me to fuck her this summer just like all of the other men she encountered and fancied.

I had avoided this inevitability in New York, but on small, isolated Daufuskie there was no place to hide. And now there was a reason for me to give it a go, as a test, just to be sure, if nothing else.

I looked over at Helena, who was giving me a benevolent look even though I was sure she could see the attention Tish was giving me. I decided to let Tish have her way—even to fuck her as opportunity and capability arose. Helena certainly seemed as relieved last night as I was after the embarrassment had passed. Helena was the "star" of our marriage. In many ways, she fulfilled the magnet role in any group the same way her appreciably older artist half brother, Damien, did. She had chosen me. Seven years my senior, she had proposed, suggesting that we both could benefit from the camouflage. I had no idea what she meant at the time. I can't say even now that I know what she meant in relationship to herself, and I certainly only recently had an inkling how it might relate to me. But I can't say it had not been a beneficial—or even amiable—marriage so far. She was witty and brilliant and preoccupied with the writing of her deep women's novels. That left me more than enough space to be preoccupied with composing my music.

Whereas most married New York couples met over breakfast and dinner and cocktails between, we met at art openings, concerts, and book signings. That's where we had frequently met with Damien and Tish earlier in the spring and when somehow someone had suggested a summer together somewhere "different," and the rest of us had agreed.

Surely I hadn't suggested that.

"I must say this was a sterling idea of yours that we summer in South Carolina," the fifth occupant of the circle fairly barked, shattering the surface, meaningless chatter of the rest of us.

I looked up sharply at Benjamin Wangle, middle-aged and perpetually untidy and out of style. The rest of us were at the height of style. Wangle could afford not to be in style in New York circles. He was a book agent, and a powerful one at that. He could be anything he damn well pleased, including completely open about his proclivities. Lucky man.

He was looking directly at me. Was he suggesting that this conclave—here—had been my idea? Surely not.

"Yes, everything is perfect now that Adrian has his Petrof here and set up," Helena spoke up, saving me from responding to Wangle. "Adrian's summer is all in order now. Is it in proper tune, darling?" She leaned the bulk of her chest over the coffee table, flicked the ashes from her cigarette into a tray, and picked up her martini.

"Yes, thank god, dear," I answered. "It's a miracle, but it seems to have weathered the trip."

"Good. I know it's your lucky piano, your muse. I know you'll knock out glorious tunes by the dozens. You'll see that I was right to insist that you have your piano and no other."

I felt myself flare up. She'd always thought of my work as effortlessly "knocking out tunes by the dozens," as if doing so were a piece of cake in contrast to knocking out novels with long paragraphs and five-syllable words by the dozens was. I knew I wouldn't be "knocking out" tunes here. I had the piano, but I didn't have Charlie, my collaborator, my lyricist. I didn't know if I'd ever be able to knock out a tune again, whether here or in New York.

But Helena was sailing on. "And you, D. Does the art studio suit?"

"It would if I planned on spending any time in it, H," Damien answered. "I'm delighted with the island. I think I'll go native with my painting here—out in the open, in the lush jungle. I'll call this my Rousseau and Gauguin period, perhaps—if I can chose between their styles. I'll have to experiment. It will be so much fun. I agree, this idea of yours quite likely is a winner, Adrian."

He had turned to me. He, like Wrangel, was suggesting that this summer was my idea.

I opened my mouth to speak, to question and contradict, but Wrangel mercifully filled the sliver of a void in sound.

"I hope you have started your new novel, Helena," he said, turning to my wife. "We're a bit off schedule, you know."

That was it, I realized. That was the catalyst that had brought us together here. Wrangel was a book agent. Each of us was working on a book for him—although Tish could hardly say she was working on her memoir of a top model. What she was supposed to do on this retreat was to read and try to absorb the glamorous, but forged-in-tragedy life a ghostwriter had written for her so that she could handle the book interviews running up to and after publication. Wrangel had gathered us all here in isolation to crack the whip over us. That must be what brought us here.

"Yes, I'm toying with the concept of relationship," Helena said, taking another drag of her cigarette and her martini, in turn.

"The concept of relationship?" Wrangel asked. "In a novel?"

"Yes. I'm going to separate and distinguish in a pure form sexual relationship and affection relationship. I won't moralize between them, but I will show how basically it's one or the other except in the rare instance where they intersect and merge."

"And you will show this in a novel? With tension and resolution? I'm not quite sure—" Wrangel was such a powerful agent in the business that he enjoyed the ability to be in on the ground floor decisions in forming the works of his clients.

"Yes, the tension will be that my protagonist will have more than one intersection of the two. She will hedonistically enjoy sexual relationships and she will easily slip into relationships of affection, but rather than the optimum one relationship that is satisfying on both the sexual and affection relationship levels, she will be forced to suffer two simultaneously of equal dual strength."

"Ah, so not a romance."

"No, not hardly a romance. Romances are insipid. They don't have legs. And one of the relationships will be with a man and the other with another woman."

"Ah, yes, I see," Wrangel said. "Quite possibly excellent, yes. And the resolution?"

"Oh, in the end she will realize that one of the relationships was of a fourth kind altogether—a completely sterile one."

"And which one would that—?"

"I haven't quite decided yet," Helena quickly answered, anticipating the question. She was speaking to Wrangel, but her eyes were boring into me.

"If you've quite finished making love to Adrian's hand," Damien said in a somewhat irritated voice, "I think it is time for you to start earning your keep." This was addressed to Tish, who was often a model of choice for Damien's highly profitable art. He specialized in nudes in unusual settings.

Although the dart was aimed at Tish, I instinctively knew that Damien was displeased that the center of attention in the room had shifted to his half sister. It was ever thus when the two of them were together. They were too much of a one—surely from the mother they shared rather than the fathers they didn't. They each needed to be the center of attention, and there wasn't enough light or air in a room for both of them simultaneously. It was, however, a civilized game. They played off of each other as much as against each other—and mercy be to anyone who attacked one of them when the other was nearby.

Tish giggled as she stood when Damien did. A sixth person was flitting around us, picking up empty glasses and exchanging Helena's filling ashtray with an empty one. Wrangel's Thai houseboy, Krit, who no one had had any objection to Wrangel bringing. No one else intended on doing any domestic work during the summer, and the prospect of hiring someone local wasn't welcomed by any of them. Besides, Wrangel tended to be very grumpy when Krit wasn't there to warm his bed.

The rest of us were standing now, as well, Wrangel to go look at the proofs of Tish's book before giving the manuscript to her to read for the first time about the fascinating life she had had to this volume one of X point, and Helena off to the library, which she had commandeered for her writing.

My wife didn't leave without a parting shot at me, however.

"I know how you like to sleep with the windows open to catch the breeze off the water, darling—and you know that I easily get a chill. I found last night nearly intolerable. There are plenty of bedrooms in the house, so I think you should stay in that room and I'll find another."

There it was then. Just like her books. One meaning on the surface—a solicitous regard for my needs—with deeper currents—of what?—underneath. We had both found last night nearly intolerable and "chill," as ambiguous as it was, was perhaps just the right word to use for it. But I didn't take umbrage at the barb. We slept in separate bedrooms in New York. Why not here too?

I probably shouldn't have . . . but with all I was going through. The need to leave New York . . .

"Your glass is empty, sir. Are you finished with it?"

"Yes, thanks, Krit," I said, as I pried it out of my hand with the other—not having been aware of how tightly I'd been gripping it. "Here, you may have it. Thank you." I watched the lithe little man of indeterminate age sway gracefully in his Thai silk sarong skirt and tight vest over a bare chest as he departed the room.

I drifted into the lounge, being careful to close the door behind me so as not to disturb Helena across the house in the library, and sat down at the piano. I ran my fingers along the keys and then tried some chords. The sound was sweet and true. Being cursed with perfect pitch, I couldn't work with any other sound. I wouldn't have the condition—or absence—of the piano as an excuse not to compose. But I well knew—when it wasn't blocked by denial—what the reason was that I wouldn't be able to compose, and it had nothing to do with the piano. It was thoughtful, though, I thought, of Helena to insist on the piano being sent here. She'd made all of the arrangements herself. In fact she'd made all of the arrangements on the travel and the house. So, perhaps this retreat into the wilderness was all her idea.

It was thoughtful about the piano. Relationships. There must have been a connection of affection, at least, for Helena to have done this for me. Affection at least.

I let my hands do whatever they wanted with the keys. I was making music. But it wasn't my music and there was nothing fresh involved. I usually had the lyrics to work to. That had always helped. Charlie's lyrics. Nothing was coming now, though. And I wasn't a bit surprised.

I rose from the piano and went to the French doors to the raised terraced, opened them, and walked out to the edge. I could see them below me and in the near distance. Tish, naked, was posed and Damien, half naked himself, powerful of body, was sitting at his easel. I recognized the pose in the bed of ferns by the banyan tree. It was "The King's Wife" tableau. So Damien had been serious about pursuing a Paul Gauguin period this summer. Legend had it that Gauguin always fucked his Tahitian models after a sitting like this. I had little doubt that Damien planned to do the same. He was a highly sexed—and a very sensual—man.

Apparently not fully satisfied with the pose, the sound of the name of Henri Rousseau and the pose of his "The Dream" drifted up to the balcony, and, with a beleaguered sigh, Tish changed her position. If there was something that Tish was an expert in, it was positions—and I wasn't wholly thinking of model poses.

But I could see that there was trouble in paradise too. Perhaps Damien would get his fuck, but Tish wouldn't be any longer in casting her net wide here than she was in New York. I could see that, behind where Damien was seated, but directly in Tish's line of sight, off near the corner of the house—stood the young Gullah hunk Vandi LaRoche, would I'd already seen plastered to Tish. He was stripped to the waist. His torso was brown as a berry, evoking the sense of Tahiti as neither Tish nor Damien could, and, like Gauguin's models, both female and male, his muscular torso was achingly beautiful and erotic. I hadn't the slightest doubt that Tish and Vandi would be heating up the island with real fire within hours.

Good, I thought. Good that someone would be getting sexual satisfaction. Relationships, Helena had said in discussing the concept for the book she was working on. The separation of sexual relationships from relationships of affection. The need for them to intersect and join as one in a relationship—but in a single relationship if you didn't want your life to be tragedy rather than romance. Or, worse, farce. I knew that Helena would curl up and die at any suggestion that her life was a farce.

That was a major reason why I had had to flee New York. I couldn't willingly be the reason for Helena's life to be marked by farce.

Why couldn't I have that, I wondered. Why couldn't I have even that one united, fulfilling relationship? For a brief moment, the reason why we were here—who had brought the six of us here and why—was clear as a bell to me. But in another instant, I have turned from it, covered it up, buried it back in its box.

What six, I wondered. Why, because Krit was one of us too, I realized. His comings and goings on the porch had been as much a source of tension in the air as had anything else, even if I couldn't understand why. Thinking of him as one of us made me laugh. Of course, I thought. Of all of us here, the relationship between Benjamin Wrangel and the Thai houseboy was probably the closest to a fulfilling entwined sexual and affection relationship that any of us had.

Knowing that composing would be hopeless today—and probably for an eternity to come—I didn't reenter the lounge. I walked down the terrace and into the house's center hallway. I climbed the stairs to my bedroom. My bedroom. My solitary bedroom. I opened the windows on two sides of the corner room, stripped naked, and padded into the bathroom and took a sleeping pill. I was bone weary, but my mind was racing. I needed to ensure that I would get some sleep.

Moving back into the bedroom, I went to the four-poster bed, which was swathed in gauze curtains. In the night, I would have to pull these around me. There would be mosquitoes. The guide book said they were the size of horse flies on the island at night—but for some reason, probably the sea breezes—they were largely absent during the day.

Helena had been right, of course. I would need the night breezes and she couldn't tolerate them. Helena was always right. One of the problems between us, I thought, was that she knew she'd always be right. Dominant. In charge.

I think we had come here because Helena wanted to. I drifted off to sleep wondering why—and still wondering if that was true.

In my sleeping pill-infused sleep, I only half woke when Tish—beautiful, young, pencil-thin, blonde Tish—climbed onto the bed and leaned over me, her straight, flaxen tresses brushing on my bare belly as she sucked my cock to erection and then straddled me and languidly, as if in a detached dream, rode me to an ejaculation.

Even if I had been conscious enough to have broken through the shock of the visitation and its dreamlike aspect, I don't think I could have participated more fully in the coupling. Her body felt as delicate and brittle as spun glass between the fingers I pressed at her thin waist to steady her as she swayed on the cock, and I feared that, if I moved more, she would shatter. It was clear from the emotional distance she was maintaining, even as we were so intimately connected with me inside her, that my role was to be a hard dick and a release—and nothing more.

Had it been only a dream, I wondered late in the afternoon when I woke. No, I didn't think so. My cock was sticky from having come and there was the unmistakable scent of her in the room. And strands of blonde hair—only a few of them, but enough of them—stretched out on my belly.

So, it hadn't been either Damien or Vandi fucking her immediately after the sitting for the painting, but me. I wondered how that had come to pass. Strange. But I was glad it had happened this soon. The tension of wondering when, where, and under what circumstance we would fuck had been one of the barriers to me being able to compose earlier in the day. Or so I told myself. Now maybe . . . but probably not. Wondering when the next dreamlike encounter would be probably would continue to act as a barrier. Or as a more convenient reason for there being a barrier than the truth.

Now what had made me think of that?

As I drifted off again, I wondered what my relationship with Tish was now in terms of Helena's theory. I had liked Tish, and we had often shared "rolled eyes" looks as half brother and sister, Damien and Helena, sparred with each other for control and center of attention when we were gathered. It was like we shared a secret of how belittling life was in the shadow of titans. But this, this just now. This had been sex. A sexual relationship. As strange as it was, there was no denying that cock ejaculating in cunt slick from orgasm was sex. So, could I be forming that coveted entwined sexual and affection relationship with my sister-in-law?

No, that was silly, I thought. And not just because Tish obviously was incapable of a deep relationship of any kind. It was also because of that other thing . . . that which I wouldn't even let myself think about.

I drifted back off to sleep, no feeling of urgency to be anywhere, to be doing anything. It was going to be a long, empty summer. The summer of running away. The summer of denial. I possibly should have been thinking more deeply about that. But I was too close to sleep again to do so—or to completely, protectively blot it out of my mind, for that matter. I dreamed of being suspended in limbo. And when I woke next, I did so wondering, as I had done before, whether this had been a dream or was reality.